| Journal: | Acta poética |
| Database: | CLASE |
| System number: | 000497115 |
| ISSN: | 0185-3082 |
| Authors: | Farahani, Maryam Jalali1 Amjad, Fazel Asadi2 Hanif, Mohsen2 Rezaei, Tahereh3 |
| Institutions: | 1Islamic Azad University, Teherán. Irán 2Kharazmi University, Teherán. Irán 3Allameh Tabataba'i University, Teherán. Irán |
| Year: | 2020 |
| Season: | Ene-Jun |
| Volumen: | 41 |
| Number: | 1 |
| Pages: | 115-132 |
| Country: | México |
| Language: | Inglés |
| Document type: | Artículo |
| Approach: | Analítico |
| Spanish abstract | Henry Louis Gates ha tomado el término “significado” de Saussure y lo ha redefinido como un juego de palabras lingüístico que pospone la noción de significado y creencia en la “double-voicedness”, esto significa hablar tanto el idioma de la cultura dominante como en el del subalterno. Double-voicedness es, para Louis Gates, el epítome de Signifyin (g). Este artículo se propone aplicar las nociones de double-voicedness y Signifyin (g) en el manuscrito de Les Blancs, de Lorraine Hansberry, y destaca los aspectos anticoloniales de la obra |
| English abstract | Henry Louis Gates has taken Saussure’s term “signifying” and redefined it as a linguistic wordplay which postpones the delivery of meaning and believes in “double-voicedness”, this means to speak both the language of the dominant culture and that of the subordinated one. He also asserts “double- voicedness” as the epitome of “Signifyin (g)”. This paper intends to apply the notions of “Double- voicedness” and “Signifyin (g)” on the manuscript of Les Blancs, written by Lorraine Hansberry, and highlights the anti-colonial aspects of the play |
| Disciplines: | Arte |
| Keyword: | Teatro, Gates, Henry Louis, Significado, Hansberry, Lorraine, Cultura dominante, "Les Blancs", Poscolonialismo, Cultura subalterna |
| Keyword: | Theatre, Henry Louis Gates, Signifying, Lorraine Hansberry, Dominant culture, "Les Blancs", Postcolonialism, Subordinated culture |
| Full text: | Texto completo (Ver HTML) Texto completo (Ver PDF) |
