| Journal: | Intexto (Porto Alegre) |
| Database: | CLASE |
| System number: | 000508198 |
| ISSN: | 1807-8583 |
| Authors: | Amaral, Carolina Oliveira do1 |
| Institutions: | 1Universidade Federal Fluminense, Niteroi, Rio de Janeiro. Brasil |
| Year: | 2020 |
| Season: | Sep-Dic |
| Number: | 50 |
| Pages: | 146-160 |
| Country: | Brasil |
| Language: | Portugués |
| Document type: | Artículo |
| Approach: | Descriptivo |
| English abstract | This article explores Alain Badiou’s (2013) ideas about love – the romantic chance encounter, the subsequent declaration of love as a commitment to construct something that endures and outlasts chance, and love as a truth-constructing procedure – in relation to Richard Linklater’s Before trilogy: Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013). Elements such as long shots, point-of-view and glance/object editing, and dual focus narrative are storytelling devices used in the trilogy to tell a love story from meet cute to happy ending and beyond, towards endurance and eternity |
| Portuguese abstract | Este texto pareia as ideias de Alain Badiou (2013) sobre o amor – o encontro, a fixação do acaso e a duração – à análise da trilogia do diretor norte-americano Richard Linklater Antes do amanhecer (de 1995), Antes do pôr do sol (de 2004) e Antes da meia-noite (de 2013). Elementos como o uso recorrente de plano e contraplano, o plano-sequência e o duplo foco narrativo são estratégias narrativas para desenvolver uma história de amor que vá do encontro à duração |
| Disciplines: | Ciencias de la comunicación, Arte |
| Keyword: | Amor, Duración, Linklater, Richard, Badiou, Alain, Cine |
| Full text: | https://seer.ufrgs.br/intexto/article/view/92474/57359 |
