| Journal: | Praxis filosófica |
| Database: | |
| System number: | 000535253 |
| ISSN: | 2389-9387 |
| Authors: | Margot, Jean-Paul1 |
| Institutions: | 1Universidad del Valle, Cali, Valle del Cauca. Colombia |
| Year: | 2021 |
| Season: | Jul-Dic |
| Number: | 53 |
| Pages: | 85-108 |
| Country: | Colombia |
| Language: | Español |
| Spanish abstract | Hay muchos retratos de Spinoza, pero ninguno de ellos está bien documentado, al menos suficientemente documentado como para satisfacer las exigencias del método iconográfico. Por falta de argumentos objetivos que permitan identificar a Spinoza entre tantos cuadros y grabados, tal vez podamos considerar que el “verdadero” retrato de Spinoza es el frontispicio de las Opera posthuma de 1677. |
| English abstract | Although there are many portraits of Spinoza, none is well documented, or at least sufficiently documented to satisfy the requirements of the iconographic method. Due to the lack of objective arguments that could allow us to identify Spinoza among so many paintings and etchings, we might perhaps consider that the “real” portrait of Spinoza is found on the frontispiece of 1677´s Opera posthuma. |
| Keyword: | Grabado, Iconografía, Pintura, Retrato, Teatro |
| Keyword: | Etching, Iconography, Painting, Portrait, Theater |
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