| Journal: | Alea: estudos neolatinos |
| Database: | |
| System number: | 000566790 |
| ISSN: | 1517-106X |
| Authors: | Vieira, Willian1 |
| Institutions: | 1Universidade de São Paulo, Brasil |
| Year: | 2019 |
| Season: | May-Ago |
| Volumen: | 21 |
| Number: | 2 |
| Pages: | 219-237 |
| Country: | Brasil |
| Language: | Portugués |
| Portuguese abstract | Esse artigo investiga o papel do nome real de terceiros no jogo literário que enseja a autoficção de Christine Angot, ao cotejar seus romances com correspondências, notas e manuscritos a eles ligados, depostos no Fonds Christine Angot, no IMEC, França. A partir da análise da evolução dos nomes nos textos e do que dizem a autora e a narradora, dentro e fora do romance, sobre tal uso, pensa-se uma ontologia do nome real no literário - em comparação, por exemplo, com Zola e a defesa do naturalismo. Questiona-se ainda, no nível da recepção, o efeito que tem o nome real identificável e sua defesa para a leitura do romance. |
| English abstract | This article analyses the role of real names in the literary game performed by Christine Angot's autofictional novels. The originals are confronted with letters, notes and printed versions of the novels, found at the Fonds Christine Angot, IMEC, France. From the analysis of the evolution of the names in the different versions of the novels, and from the statements made both from the author and its homonymic narrator, inside and outside the novels, the article proposes an ontology of the use of real names in contemporary autofiction. The text also compares the defense of this right to use real names in Angot and Zola, and raises the question of how the use of real names (and its defense) impacts reception. |
| Other abstract | Résumé Cet article analyse le rôle du nom réel de tiers dans le jeu littéraire de l’autofiction de Christine Angot. Une comparaison est effectuée entre ses romans et les correspondances, notes et manuscrits réunis au Fonds Christine Angot à l’IMEC. L’étude montre une l’évolution des noms dans les différents documents et versions des romans. En plus des paratextes et épitextes sur l’auteure (et la narratrice du même nom), nous proposons une ontologie de l’usage du nom réel dans la littérature - une défense du droit d’utiliser les noms réels en littérature au même titre que Zola il y a plus d’un siècle. Enfin, le travail s’interroge sur l’effet du nom réel dans la lecture et la réception du roman. |
| Keyword: | Autofiction, Literary game, Censorship, Self-censorship, Literary ontology |
| Full text: | Texto completo (Ver PDF) Texto completo (Ver HTML) |
