| Journal: | Lua nova |
| Database: | CLASE |
| System number: | 000320487 |
| ISSN: | 0102-6445 |
| Authors: | Pereira, Pedro Paulo Gomes1 |
| Institutions: | 1Universidade Federal de Sao Paulo, Sao Paulo. Brasil |
| Year: | 2008 |
| Number: | 74 |
| Pages: | 11-34 |
| Country: | Brasil |
| Language: | Portugués |
| Document type: | Artículo |
| Approach: | Analítico, crítico |
| English abstract | This article tries to understand how one of the most important narratives of the national cinema - Glauber Rocha's Black God, white devil (1963) - has constructed the sertão (hinterland), which images and figures he has employed, and how that hinterland delineates and projects the country |
| Portuguese abstract | A busca deste texto será a de compreender como uma das mais importantes narrativas do cinema nacional - Deus e o Diabo na terra do sol, de Glauber Rocha (1963) - construiu o sertão, quais as imagens e as figuras utilizadas, ecomo esse sertão delineia e projeta o Brasil |
| Disciplines: | Arte |
| Keyword: | Cine, Narrativa, Cine nacional, Brasil |
| Full text: | Texto completo (Ver HTML) |
