| Revista: | Comunicación y medios |
| Base de datos: | CLASE |
| Número de sistema: | 000509747 |
| ISSN: | 0719-1529 |
| Autors: | Page, Philippa1 Sosa, Cecilia2 |
| Institucions: | 1Newcastle University, Newcastle upon Tyne. Reino Unido 2Royal Holloway University of London, Londres. Reino Unido |
| Any: | 2019 |
| Període: | Jun |
| Volum: | 28 |
| Número: | 39 |
| País: | Chile |
| Idioma: | Español |
| Tipo de documento: | Artículo |
| Enfoque: | Descriptivo |
| Resumen en español | This article constitutes the diary of a documentary in the making, one that aims to create a cinematic map of the local imaginaries of post-dictatorship transition. The unfolding project it charts uses film as a medium—both its reception by audiences and its creative potential as a mode of documenting and expressing social phenomena artistically—in order to map and produce fresh understanding of the multifaceted and layered, polysemous set of social imaginaries of the memory of Argentina’s civic-military dictatorship and the ensuing post-dictatorship transition to democracy. This cinematic journey into the Dantesque labyrinth of the imaginary unfolds in the liminal space between the imagination and the real. In doing so, intimate lived experience resonates through public displays of trauma and pleasure, taking us into a yet-to-be-defined space that is neither documentary nor fiction |
| Disciplines | Ciencias de la comunicación |
| Paraules clau: | Sociología de la comunicación, Imaginarios, Documental, Ficción, Posdictadura, Argentina |
| Keyword: | Sociology of communication, Imaginaries, Documentary, Fiction, Post-dictatorship, Argentina |
| Text complet: | Texto completo (Ver HTML) Texto completo (Ver PDF) |
